Tenor Mark Lundberg dies at 50


Lundberg's management company says the singer died Friday, 15 August 2008, in Long Island after a brief illness. The cause of death wasn't released. Lundberg made his debut in Brussels in the 2006-07 season as Tristan in "Tristan und Isolde." He sang bass and baritone for many years before making the transition to dramatic tenor roles. Lundberg was to perform the role of Samson in "Samson & Dalila" with the Pitsburgh Opera later this year. Officials there say he competed at the regional finals of the Metropolitan Opera National Council Auditions as a bass, baritone and tenor.
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Ralph Vaughan Williams

Ralph Vaughan Williams, OM (October 12, 1872 – August 26, 1958) was an English pianist and composer of symphonies, chamber music, opera, choral music, and film scores. He arranged a number of Christian hymns, harmonizing the ancient chanted prayers to popular melodies. He was also a collector of English folk music and song.
Why Ralph Vaughan Williams should be as revered as Shakespeare
By Simon Heffer
It is always good to have an excuse to contemplate the condition of our culture, and the 50th anniversary of the death of Ralph Vaughan Williams, which falls next Tuesday, provides one.
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  • Leonard Bernstein


    (August 25, 1918 – October 14, 1990) LEONARD BERNSTEIN...was an American conductor, composer, author, music lecturer and pianist. He was the first conductor born and educated in the United States of America to receive world-wide acclaim. He is perhaps best known for his long conducting relationship with the New York Philharmonic. Orchestras all over the country are looking back on the life and legacy of the late Leonard Bernstein this year in observance of his 90th birthday. Last winter, the Philadelphia Orchestra hosted a festival of star performances, premieres and seminars. Bernstein's birthday party continues this week when the Boston Pops Esplanade Orchestra returns to Verizon Hall, to play a program titled "Make Mine Bernstein."
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    Sabine Heinefetter

    Sabine Heinefetter Soprano Born 19 Aug 1809 Mainz Died 18 Nov 1872 at Illenau, Baden. Beginning life as a strolling harpist, she was noticed by a Frankfort musician, who instructed her in music. In 1825 she studied under Spohr at Cassel, and under Tadolini in Paris. In 1829 she sang at the Paris Italian opera with Sontag and Malibran, and in 1835 accepted an engagement at the Dresden court theater. Great success in Berlin, Vienna, Milan, and other cities with chief rôles in Romeo, Anna Bolena, Norma, and Rosine. In 1844 she appeared for the last time in Frankfort. In 1853 she married a French merchant named Marquet, in Marseilles.
    Debut in Mandarin (Ritter) Teachers:- Giovanni Tadolini, Davide Banderali Created Adina in Elisir D'Amore (Donizetti).

    Alexander Slobodyanik dies


    Mr. Slobodyanik was a Ukrainian-born pianist who earned stardom in the former Soviet Union with his virtuosity and emotional interpretations of Romantic composers...
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    Composer Donald Erb dies


    Donald Erb, longtime composition teacher and pianist at the Cleveland Institute of Music has passed away.
    Donald Erb was born in Youngstown, Ohio, January 17, 1927 and died August 12, 2008. He was an American composer best known for large orchestral works such as Concerto for Brass and Orchestra and Klangfarbenfunk.
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    Martha Argerich


    Martha Argerich, who for almost two decades gave very few solo recitals, has always felt uneasy in the spotlight offstage as well. But Ms. Argerich, a brilliant musician whose playing combines prodigious technique with uncanny musicality, overcame her shyness and granted Georges Gachot a three-hour interview...MORE
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    Miloslav Kabeláč birth centennial


    1 AUGUST 1908 Birth of Czech composer and pianist Miloslav KABELAC in Prague. He died in Prague, 15 JUNE 1971. Miloslav Kabeláč was a prominent Czech composer and conductor. Kabeláč was a Czech symphonists, whose work can be compared with Antonín Dvořák or Bohuslav Martinů. New ways of expression presentated by Kabeláč in his eight symphonies and the perspectives opened by him to modern understanding and conception of this traditional genre have not yet penetrated our general conscience in a way corresponding to their importance and impact. In the totalitarian period Kabeláč's work found itself on the periphery of official attention and was performed only sporadically and in a limited choice of compositions...MORE from Wikipedia Bio
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